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“They Played it on Saturday Nights in a Barn.” Gramophone Practices and Self-Made Modernity in Finland from the 1920s to the 1940s

机译:“他们在星期六晚上在谷仓演出。”从20世纪20年代到40年代,芬兰的留声机实践和自制现代性

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摘要

This article studies rural gramophone use in Finland from the 1920s to the 1940s, based on source material of written memories related to the long Nordic tradition of folklore surveys. The characteristic rurality of the Finnish pre-war and war-time society offers an opportunity to study the non-urban appropriation of modern technology and to approach rural modernity as locally produced on the one hand, but crucial to the societal and cultural modernisation processes on the other. The article uses a practice theoretical approach and argues for an understanding of grass-root modernity as a dynamic system of practices combining old and new elements. By scrutinising the material elements, meanings and competencies linked together in rural gramophone practices, the article describes and analyses diverse forms of rural activity and innovativeness around the gramophone, peaking in the popular phenomenon of secret dances during the Second World War. 
机译:本文根据与北欧民俗调查传统悠久有关的书面记忆的原始资料,研究了1920年代至1940年代芬兰乡村留声机的使用。芬兰战前和战时社会的独特乡村性为研究现代技术的非城市占用和一方面解决当地生产的乡村现代性提供了机会,但对于社会文化现代化进程至关重要。另一个。本文采用一种实践理论方法,并主张将基层现代性理解为结合了新旧要素的动态实践体系。通过仔细研究农村留声机实践中联系在一起的物质要素,含义和能力,本文描述并分析了留声机周围乡村活动和创新的各种形式,并在第二次世界大战期间流行了秘密舞蹈这一流行现象。

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    Männistö-Funk, Tiina;

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